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Body by Jesus

by the Rev. Rich Smith
January 21, 2007

Corinthians 12:12-31

The hymn we just sang, “God of Change and Glory,” was written in 1973 by a UCC minister, Al Carmines, Jr., who not only served churches in New York City, but was also an adjunct professor of musical theater at Columbia. He actually wrote the hymn for the Methodists – all of which may be a good illustration of what the hymn itself is about – diversity! Just as there is “One Westmoreland, One Washington, One World” – great variety united through the Spirit – so there are “many gifts, one spirit, one love known in many ways” in the realm of God.

I remember the first time I sang this hymn. It was in the Chapel of the Great Commission at Pacific School of Religion in Berkeley. It was at the time a really new hymn, and I was a new seminarian, recently relocated from a not especially diverse college in a homogenous Southern California suburb finding myself in Berkeley, by far the most diverse place I’d ever lived. Berserkly we sometimes called it. It was a bit of an adjustment. But I realized that one benefit was that the extremes of Berkeley allowed you to find you own place. You couldn’t be too weird or “far out,” because in Berkeley, there was always somebody more extreme. Of course going from there to Southern Arizona was also a bit of a shock, but that’s another story. Suffice it to say that the message of this hymn – that diversity and variety, of ideas, of styles, of ethnicity, of politics, of theology – all this is God’s gift – and understanding this helped me to figure out how to live creatively in the midst of all of it, and to understand that I was a part of it, as well.

Even though I didn’t grow up in an especially diverse place – there was one black student at my high school – I was probably conditioned to accept this by some of my earlier experiences. Singing in the college choir, for example, where there were indeed a variety of gifts – sopranos, altos, tenors, basses, some with marvelous solo voices, and others of us more suited for blending in. As a bass, I seldom got to sing a lead line – that was usually reserved for the sopranos – but that didn’t make the sopranos more important, because in the end they couldn’t get along without the basses. We needed each other to make music. And if one part was hurting or out of tune, the whole choir suffered. But when we played our parts well, without trying to stand out or be more important, the whole body rejoiced together.

And I suppose I was prepared for this even earlier when I played basketball in high school. Basketball is a team sport, unlike tennis or golf, and while there are stars, those who excel at how they play, stars alone cannot make for a winning team. And that’s the important word – team! No “I” in team. On a basketball team, some are better at shooting, some at rebounding, some at setting up plays, some at defense. My role on the team was crucially important, and I excelled at it. I was the third-string bench-warmer – an inspiration, really, to the starting five and their second-string replacements. Because if they didn’t play well, do their best individually and as a team, I would take their place on the court, and they would have to take my place on the bench. And no one wanted that, believe me! Apparently, I performed my part quite well, for I only had to take to the court three times all season! When it was over, I took to the guitar, one thing led to another, and that’s how I ended up in the ministry. If I hadn’t played my part so well as a bench-warmer, I probably wouldn’t be here today!

Well, we all need to discover what our unique gifts are. Robert Bowman tells a story that back in 1832, a young frontiersman in the U.S. Army went to war against the Fox and Sauk Indians in what was known as the Black Hawk war .… At the beginning of the war, he was a captain. By the end of the war, this young frontiersman was no longer a captain -- he was a private. He obviously was not gifted as a soldier, in fact kept falling through the ranks until he was on the very bottom.

So, he looked for other things to do. Eventually, he found his niche, and even achieved a measure of success. His name was Abraham Lincoln.

The moral of this story is that just because you’re a failure at one thing, that doesn’t mean you’re going to be a failure at everything. Different people have different gifts. Evidently, Indian-fighting wasn’t one of Lincoln’s. But leading a nation through its greatest trial was.

There are many gifts, but One Spirit. This is what Paul is talking about in our scripture lesson for today. It’s a very familiar passage, where he compares the community of faith, the church, to a body, which is the body of Christ. Just as the human body has many parts and yet is one, so it is with Christ, and with Christ’s church. These parts are all important, with their own roles to play, and yet are part of the whole. No part can go its own way, or separate itself from the body without damaging itself and the body as a whole. No part is more important than any other part. All the parts need each other, must care for one another, are all in it together. It is the mystery and the blessing of unity and diversity.

Now Paul wrote these words to a disfunctional church in the midst of a very diverse and divided city – Corinth, a center of trade known for its distinctions between people of importance and people who were expendable; people of wealth and people stuck in poverty; people who counted and those who didn’t. This created divisions that were reflected in the church itself. Now, Paul was not the first to use the image of the body to describe this situation – indeed one Dionysius of Halicarnassus, a Greek historian and orator, compared the human body to the commonwealth. His point in the analogy was not, however, that all people (members of the body) should be valued as equal; rather, that those parts which are given less honor (such as the “belly”) should not object to being ruled over by the parts that have greater honor (like the brain). In other words, his analogy concluded that the plebeian classes in the Greek commonwealth should not object to being ruled by the Roman senate.

Paul re-imagines all this, and says, “No!” In the body of Christ, all the parts need each other and there is ultimately no distinction between Jew or Greek, male or female, slave or free – all are one in Christ, as he said in Galatians. It was a message about the church, to be sure, but it was also one of radical social, even political, transformation!

Fast-forward nearly two thousand years to another diverse church in the midst of a cosmopolitan culture, a church that is holding its Annual Meeting today. In some ways, Westmoreland may not seem all that heterogeneous. As one of my colleagues said about his somewhat similar church, “Sure, we’re diverse. We have lawyers who work for the government, and we have lawyers in private practice!” Okay, some of us aren’t lawyers – but for the most part we are rather WASP-ish, traditional, well-educated, affluent, Type-A, liberal, sophisticated, cultured, social-justice oriented. Not everybody, of course, we do welcome diversity and try to make a place for those who would make us multi-cultural and those with more conservative political or theological views. Still, compared to the culture around us, we’re not all that diverse.

So, I would treasure and support any and all efforts to increase our diversity, to reflect more the multiculturalness of Washington. And yet, there is diversity and there is diversity. If you think we’re not diverse, just send out a survey on worship practices at Westmoreland. We’re still collecting them, and Sid Fowler will be compiling and analyzing them, but from what I have picked up, Westmorelanders are all over the map when it comes to what worship practices move us. This was already clear a couple of years ago when we did a survey that would guide us as we chose a new music director. Many folks like traditional, classical music, but a lot of people like folk and bluegrass and jazz and rock. Some people like literate, educational worship with emphasis on sermon and teaching; others would like more contemplative styles. Some like formality, others folksiness. Some insist we include a kyrie and prayer of confession, others think it’s too negative. Some prefer the service to last no more than one hour, others say it should last as long as it needs to. Communion has many meanings, no one of which predominates. There are many forms of prayer which help people connect with the Holy. And on and on. We are incredibly diverse when it comes to what we value and want worship to be. But what we have said from the beginning is – it’s not first and foremost about particular forms and styles and practices. It’s not really about where the piano sits or the place of announcements – it’s far larger than that. As Martin Luther King used to say, in order to find common ground, move to higher ground. And from higher ground, where the focus is on God, the presence of the Holy in our midst, on feeling the Spirit that makes us One, we will see that a diversity of opinions and styles and needs and preferences is not an obstacle but a blessing, an opportunity to become the body, the family, the community that God calls us to be, a place where there are “Many gifts, one Spirit, one love known in many ways!” Where diversity need not mean divisiveness, where unity doesn’t mean uniformity. Where we learn to recognize, include, and celebrate the varied gifts that each of us brings.

Harry Connick Jr. is an unbelievable live music talent. Years ago, in his concerts, he would have his whole band leave the stage while he proceeded to solo every instrument that was left behind: first the piano, then the trumpet, trombone, sax, upright bass, electric bass, electric guitar, whammy organ, and finally the drums. The solo would last 25 minutes.

Today, his need for the spotlight has seemed to have diminished. In his concerts now there will be 10-15 solos, but only a couple by Harry on the piano. The rest are by his band. He’ll call out his bandmates by name to give them the stage. He’ll get up from the piano and physically leave the spotlight for the side-stage darkness. He’ll come up behind his soloists … yell for them … celebrate them … clap and dance wildly in the shadow of their moment.

At the end of the night, there is no doubt who the best musician on the stage is … but he has on his dancing shoes and he’s throwing a party of music for all to play in.

Now, isn’t that what Jesus is about? There are many gifts, one Spirit – one Body with many parts. We are that Body, a body inspired and molded and formed by Jesus, who also has his dancing shoes on! May there be unity in our diversity....and before we meet as a congregation, let us proclaim that and remind ourselves once again what we are about, as we stand and join together in reciting our Declaration of Purpose...


Last updated Wednesday, Februrary 29, 2008

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